Practically Creative

FPV drone & visual production — Gqeberha, South Africa

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Ten years in the air

I fly the shot
nobody else can get.

It started with a toy drone from a hobby shop. Then a very plastic FPV build with so much jello it was almost unwatchable — but by then it was too late. I wasn’t watching a drone fly. I was flying.

Ten years, one scratch-built FPV quad and plenty of crashes later, I got my RPC and registered my DJI Avata 2 so I could do this properly — legally, insured, and for a living.

I’m Jaco, based in Gqeberha. As well as flying, I’m a cinematographer and video editor, so I’m happy on the sticks, behind a camera on the ground, or in the timeline afterwards. That makes ShrimpTank Media a one-stop shop for your video — from the first idea right through to the finished cut landing in your inbox.

The kit

DJI Avata 2

Ducted props mean I can fly it through a doorway, past a person, or a hand’s width from a product without putting anyone at risk. It goes where a Mavic legally and physically cannot.

Registration
ZT-001709 — registered with the CAA and flown on the books
Airframe
Ducted unibody — safe within arm’s reach of people and product
Camera
4K/60 fps HDR, 10-bit D-Log M for a proper grade
Lens
155° ultra-wide — the FPV look, not a hovering tripod
Control
Full manual FPV. Gaps, dives and one-take fly-throughs

Plus a full ground cinematography kit for everything that doesn’t need to leave the floor.

Selected work

Recent
flights

What I do

01

FPV drone filming

One-take fly-throughs, proximity work and aerials. Through the doorway, over the bar, down the stairwell and out the window — in a single unbroken shot.

  • Fly-throughs
  • Proximity
  • Aerials
  • Property tours
02

Camera & photography

Ground cinematography and stills for everything that doesn’t need to leave the floor. Interviews, product, venue and event coverage, lit properly.

  • Video
  • Stills
  • Interviews
  • Events
03

Edit & delivery

Cut, stabilised, graded and delivered in the sizes you actually need — the long film, the 30-second cut, and the vertical for social.

  • Editing
  • Grading
  • Stabilisation
  • Social cutdowns

Let’s get you a quote

Every shoot is its own thing — a different location, a different permission, a different amount of time in the edit. So rather than guess at a rate card, tell me what you have in mind and I’ll put a proper number together for you.

Travel within 30 km of Gqeberha is on me. Happy to go further afield too — we’ll just work that in.

Let’s get the shot

Start a project

Tell me
what you’re
shooting.

Even a rough idea is plenty to start with — where it is, roughly when, and what the footage is for. I’ll come back with a proper number and let you know what’s possible at the site. No obligation, and no hard sell.

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